HABESHA 1991: THE CATALOGUE

Habesha 1991 explores the relationship between identity, memory and place in Eritrea, a country too often defined by conflict, isolation and politics. Rather than documenting these narratives directly, Antonio Avelar focuses on what endures beneath them: the rituals, architecture, labour, faith and everyday traditions through which identity is sustained. Named after the year Eritrea achieved de facto independence, the exhibition argues that 1991 did not create a new identity, but affirmed one that had existed for centuries, shaped by diverse communities, cultural exchange and a shared sense of belonging. Through photographs of religious life, architecture, craftsmanship and daily routines, Habesha 1991 presents Eritrea as a living archive, revealing how culture continues to preserve itself despite decades of authoritarian rule. This digital catalogue presents the complete collection of museum-quality fine art prints exhibited in Habesha 1991, serving as a permanent record of the works displayed and their accompanying information.